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Essay On Obedience To Orders - …

Capitalism in decline finds that whatever of quality it isstill capable of producing becomes almost invariably a threatto its own existence. Advances in culture, no less than advancesin science and industry, corrode the very society under whoseaegis they are made possible. Here, as in every other questiontoday, it becomes necessary to quote Marx word for word. Todaywe no longer look toward socialism for a new culture -- as inevitablyas one will appear, once we do have socialism. Today we look tosocialism simply for the preservation of whatever living culturewe have right now.

Obedience To Orders Essays, Professional Custom …

It is a platitude that art becomes caviar to the general whenthe reality it imitates no longer corresponds even roughly tothe reality recognized by the general. Even then, however, theresentment the common man may feel is silenced by the awe in whichhe stands of the patrons of this art. Only when he becomes dissatisfiedwith the social order they administer does he begin to criticizetheir culture. Then the plebian finds courage for the first timeto voice his opinions openly. Every man, from the Tammany aldermanto the Austrian house-painter, finds that he is entitled to hisopinion. Most often this resentment toward culture is to be foundwhere the dissatisfaction with society is a reactionary dissatisfactionwhich expresses itself in revivalism and puritanism, and latestof all, in fascism. Here revolvers and torches begin to be mentionedin the same breath as culture. In the name of godliness or theblood's health, in the name of simple ways and solid virtues,the statue-smashing commences.

Essays On Obedience To Orders, Camping Activity Essays - Ess

According to Yale psychologist Stanley Milgram, “Obedience is as basic an element in the structure of social life as one can point to” (631).

In his last article on the Soviet cinema in the Dwight Macdonald points out that kitsch has in thelast ten years become the dominant culture in Soviet Russia. Forthis he blames the political regime -- not only for the fact thatkitsch is the official culture, but also that it is actually thedominant, most popular culture, and he quotes the following fromKurt London's : ". . . the attitudeof the masses both to the old and new art styles probably remainsessentially dependent on the nature of the education affordedthem by their respective states." Macdonald goes on to say:"Why after all should ignorant peasants prefer Repin (a leadingexponent of Russian academic kitsch in painting) to Picasso, whoseabstract technique is at least as relevant to their own primitivefolk art as is the former's realistic style? No, if the massescrowd into the Tretyakov (Moscow's museum of contemporary Russianart: kitsch), it is largely because they have been conditionedto shun 'formalism' and to admire 'socialist realism.'"

The avant-garde's specialization of itself, the fact that itsbest artists are artists' artists, its best poets, poets' poets,has estranged a great many of those who were capable formerlyof enjoying and appreciating ambitious art and literature, butwho are now unwilling or unable to acquire an initiation intotheir craft secrets. The masses have always remained more or lessindifferent to culture in the process of development. But todaysuch culture is being abandoned by those to whom it actually belongs-- our ruling class. For it is to the latter that the avant-gardebelongs. No culture can develop without a social basis, withouta source of stable income. And in the case of the avant-garde,this was provided by an elite among the ruling class of that societyfrom which it assumed itself to be cut off, but to which it hasalways remained attached by an umbilical cord of gold. The paradoxis real. And now this elite is rapidly shrinking. Since the avant-gardeforms the only living culture we now have, the survival in thenear future of culture in general is thus threatened.

Obedience to orders essays, Term paper Help

Obeying lawful orders essay, Custom paper Academic Writing S

In the Middle Ages the plastic artist paid lip service at leastto the lowest common denominators of experience. This even remainedtrue to some extent until the seventeenth century. There was availablefor imitation a universally valid conceptual reality, whose orderthe artist could not tamper with. The subject matter of art wasprescribed by those who commissioned works of art, which werenot created, as in bourgeois society, on speculation. Preciselybecause his content was determined in advance, the artist wasfree to concentrate on his medium. He needed not to be philosopher,or visionary, but simply artificer. As long as there was generalagreement as to what were the worthiest subjects for art, theartist was relieved of the necessity to be original and inventivein his "matter" and could devote all his energy to formalproblems. For him the medium became, privately, professionally,the content of his art, even as his medium is today the publiccontent of the abstract painter's art -- with that difference,however, that the medieval artist had to suppress his professionalpreoccupation in public -- had always to suppress and subordinatethe personal and professional in the finished, official work ofart. If, as an ordinary member of the Christian community, hefelt some personal emotion about his subject matter, this onlycontributed to the enrichment of the work's public meaning. Onlywith the Renaissance do the inflections of the personal becomelegitimate, still to be kept, however, within the limits of thesimply and universally recognizable. And only with Rembrandt do"lonely" artists begin to appear, lonely in their art.

Here are two pages from The Wanamaker Stores 1903-4 Holiday Catalogue. The first page includes a space for the customer to fill in the post office address they would receive a reply with respect to their order, the address to which goods were to be sent and a message from John Wanamaker regarding the enlarged spring 1904 catalogue and requesting names and addresses of persons who would like a copy of the catalogue. The second page is a blank order form. Click on images to enlarge.

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Deuteronomy – Wycliffe Bible Commentary – Meredith …

True, the first settlers of bohemia -- which was then identicalwith the avant-garde -- turned out soon to be demonstrativelyuninterested in politics. Nevertheless, without the circulationof revolutionary ideas in the air about them, they would neverhave been able to isolate their concept of the "bourgeois"in order to define what they were not. Nor, without the moralaid of revolutionary political attitudes would they have had thecourage to assert themselves as aggressively as they did againstthe prevailing standards of society. Courage indeed was neededfor this, because the avant-garde's emigration from bourgeoissociety to bohemia meant also an emigration from the markets ofcapitalism, upon which artists and writers had been thrown bythe falling away of aristocratic patronage. (Ostensibly, at least,it meant this -- meant starving in a garret -- although, as wewill be shown later, the avant-garde remained attached to bourgeoissociety precisely because it needed its money.)

Leadership and Authority in the Church: What It Is and …

Posted: 12 Oct 2016, 05:17 Author: YbenyEssay on, obedience : Meaning, Importance, and Types

Obeying orders essay

Indeed, many of the standards that would be frowned upon outside the military are essential to the work's success within.

The Symbolism of Forests through Folklore and Storytelling behind J.K

In Stanley Milgram’s "Perils of Obedience" experiment, his studies showed that sixty percent of ordinary people would agree to obey an authority figure even to the point of severely hurting another human being....

European Absolutism And Power Politics




Blind, obedience, veterans Today


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Free, essay : There is thus little chance for participation among the subordinates in the military, in the establishment of the standards of general.

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