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William Shakespeare was part owner of The Globe Theater.
The first thing I noticed was that the amphitheater was open and that the theatre was smaller than I had expected, small enough to where every person, whether they were seated in either of the three levels of wooden bleachers surrounding the stage or standing in the yard, was never very far from the stage. The stage was very elaborate with wooden columns that were made to look like red and gold marble. Red, and gold, green, blue, and white were the main colors used to accentuate the stage. The most beautiful part of the Globe Theatre was the painting of The Heavens above the stage. This painting is on a blue backdrop made to look like the sky with a drawing of a magnificent sun surrounded by the signs of the zodiac and many stars.
The story of the original Globe's construction might be worthy of a Shakespearean play of its own. The Lord Chamberlain's Men had been performing in the Theatre, built by James Burbage (the father of Richard Burbage) in 1576. In 1597, although the company technically owned the Theatre, their lease on the land on which it stood expired. Their landlord, Giles Allen, desired to tear the Theatre down. This led the company to purchase property at Blackfriars in Upper Frater Hall, which they bought for £600 and set about converting for theatrical use.
With this, Shakespeare was mainly centered at one theater, The Globe.
Matt Trueman, ‘The Globe’s freezing out of Emma Rice is snobbery that defies commercial sense’ (London: The Telegraph, 2016) > [Accessed 11 January 2017].
Much of Emma Rice’s disappointingly short reign was dogged with criticism by traditionalists and the more conservative wing of theatre critics, whilst bold shows like Imogen, which reconfigured Cymbeline from a contemporary, female point-of-view, were met with approval from younger audiences who had not previously been engaged by the Globe. My hope is that when Terry takes over next April she will be allowed, unlike Rice, to truly create the Globe in her own image: performance-driven, youthful and female, free from the cries of white men shouting Shakespeare in the dark.
(Yowell 16)The Globe Theater was the home to one of the ...
Greene's bombast notwithstanding, Shakespeare must have shown considerable promise. By 1594, he was not only acting and writing for the Lord Chamberlain's Men (called the King's Men after the ascension of James I in 1603), but was a managing partner in the operation as well. With Will Kempe, a master comedian, and Richard Burbage, a leading tragic actor of the day, the Lord Chamberlain's Men became a favorite London troupe, patronized by royalty and made popular by the theatre-going public.
Interestingly the famous playhouse was not the Burbage sons first choice for a playhouse since they already had one in "The Theatre", the first of its kind in London and an inheritance from his father. Unfortunately for Shakespeare and the rest of The Lord Chamberlains Men, the lease of the land it was built on expired in 1597.
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It is a modern rebuilding of the Elizabethan Globe Theater.
Shakespeare arrived in London in 1588 and by 1592 he had attained success as an actor and a playwright. He owned an acting company, the Chamberlain's Men, which was later called the King's Men, and had part ownership of the two theatres the company performed at, the Theatre located in Blackfriars and later, at the Globe Theatre.
History of Elizabethan Theater a.
Shakespearean plays are some of the greatest plays ever. The Globe Theatre wasn’t the grandest theater ever; but it is perhaps not the theater that makes it great, but the plays that were performed inside of it. Whichever it may be, it’s still exciting to experience Will’s plays like they did in the Renaissance days.
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The foundations of the Globe were rediscovered in 1989, rekindling interest in a fitful attempt to erect a modern version of the amphitheater. Led by the vision of the late Sam Wanamaker, workers began construction in 1993 on the new theatre near the site of the original. The latest Globe Theatre was completed in 1996; Queen Elizabeth II officially opened the theatre on June 12, 1997 with a production of . The Globe is as faithful a reproduction as possible to the Elizabethan model, seating 1,500 people between the galleries and the "groundlings." In its initial 1997 season, the theatre attracted 210,000 patrons.
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Today, the original Globe Theatre is no longer standing. However, a modern reconstruction has been built in the same area. When people first got the idea to build a new Globe Theatre, they didn’t know what the dimensions of the old one were. Through archeological evidence and a picture of London showing the old Globe, architects were able to construct a new theater. Although the construction of this new theater was modern, they used the same materials as in the Renaissance period to give it more authenticity.
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Shakespeare's theatre group first performed in the Theatre. James Burbage built the Theatre in 1576 and left it to his son Cuthbert Burbage. In 1598 the lease for the land on which the Theatre stood was not renewed and Burbage had the Theatre torn down. The building materials were used for the construction of a new structure called the Globe Theater located across the Thames River in the district of Bankside. Fifty percent of the Globe was owned by Cuthbert and Richard Burbage and the other fifty percent was held by five of the Chamberlain's men: John Heminge, Augustine Phillips, Thomas Pope, Will Kempe, and Shakespeare. By 1599 the Globe theatre was completed and the first recorded performance of Julius Caesar by Shakespeare took place on September 21st (Shakespeare Resource Center).
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