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Essays on the Sound Pattern of English | Edited by …

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Sound waves are made up of regions of high and low pressure named compressions and rarefactions.

Essays on Sound and Vision is a welcome addition to the burgeoning discipline of film sound: it looks beyond the soundtracks of Hollywood and mainstream Anglophone cinema to Finnish cinema, cinema of the Armenian diaspora, television, avant-garde cinema and video art, live performance, gaming music, and resistances to and within mainstream practices. Refusing to treat sound and music as separate entities, these essays situate both as 'part of an affective totality whose unity is nevertheless partial and bound up in multiple complex ways with the cultural situatedness of performers and listeners' (15). If there is a thread that runs through these essays and their disparate approaches, practices, and subject matters, it is the attention to the power of ideology whether embodied in the act of performance or shaping representations of gender, class, race, ethnicity, and sexuality in the soundtrack.

free essay on Sound and the Fury Essay: Main Theme

Sounds, rather they be background, core content, or music, create mood, theme, and help define the usefulness of the site (Farkas 94).

I was rather dumbstruck by the number of essays included in the criticism of this edition that felt compelled to discuss Faulkner and the writing of The Sound and the Fury seemingly more than to discuss the text itself.

This theme of cultural representation and personal identity is additionally expressed through director Srinivas Krishna’s technical approach toward the function of sound in the film....

Essays | Essays Music | Free Listening on SoundCloud

Without sound, humans would be alienated in their own uncertainty; unable to express the fears and aspirations which are common to our condition....

This essay will focus on the work of Ben Burtt, the sound designer of this feature, and his discussions on the process of creating a believable world with this film.

Since modern sound level meters rely heavily on digital signal processing for sound analysis, it seems reasonable to expect that results of equal or greater accuracy can be realized on computer platforms.

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BBC Radio 3 Essays | Free Listening on SoundCloud

The Production of Sound: Sound is the vibration of waves moving through air or water caused by a vibrating source which produces rhythmic vibrations in pressure.

Sound and Score, Essays on Sound, Score, and Notation

Equally impressive is Petri Kuljuntausta and John Richardson's 'Going with the flow: compositional and analytical perspectives on soundtracks for experimental films'. Kuljuntausta and Richardson begin by theorising experimental films as an audio and visual practice. Situating the experimental films of Sami van Ingen (scored by Kul) within the theoretical frameworks of Eisler and Adorno and Michel Chion, the writers tackle the complex audiovisual relationships in these films. Arguing that the pioneering work of Eisler and Adorno in Composing for the Films (1947), specifically their pointed attack on conventional Hollywood film scoring, prefigures 'some of the modes of resistance in video art', while simultaneously raising Michel Chion's reservations about the amount of resistance in the soundtracks of experimental films, the theoretical frame of the article is given an interesting frisson, a shifting and open-ended platform on which to balance its observations. The analyses of the films, and particularly that of The Blow, work through the amalgamation of music and visuals through these theoretical perspectives. I found the analyses provocative and stimulating: they made me want to see these films for myself. The conclusions Kuljuntausta and Richardson draw are also open-ended. They conclude that 'experimental films do seem to conform to a politics of alienation resembling that outlined by Adorno and Eisler' while drawing attention to the 'performative pleasures' of the soundtrack and particularly the music, which are engaged, even in experimental film, to inscribe the viewer into the film.

Project MUSE - Essays on Sound and Vision (review)

Audio essays explore topics using spoken text, audio interviews, archival recordings, music, environmental sounds, and/or sound effects. They can be structured using the conventions of argument and evidence, narrative devices, as well as poetic and experimental structures. Audio essays can make unfamiliar materials more accessible to new audiences and/or reveal new perspectives on familiar subject matters.

MLK essays: Students sound off on injustice

The strength of the collection is the coherence of this methodological approach. Relying on intertextuality to examine how auditory texts come to mean, the anthology as a whole eschews the idea of fixed boundaries between genres and texts. Thus a group of essays on subjects as diverse as the opening credit sequence of the American television sitcom Friends by Yrjö Heinonen, changes to the diegetic musical performances of The Return of the Jedi by Anti-Ville Kärjä, the manifestation of queerness in the music for the televisual adaptation of Angels in America by Susanna Välimäki, the representation of gender through dance music by Stan Hawkins, and David Lynch's films by Annette Davison, all illuminate the soundtrack through the consideration of how texts mean in relation to other texts. While all the essays have merit, I would like to single out three for particular consideration here.

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