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Family and Contemporary Culture Essay

In addition to families and neighborhoods, Filipinos also gather in social, professional, and charitable organizations. Many of these raise funds to assist new arrivals from the Philippines while they settle in Louisiana, to support victims of disasters in the Philippines or in Louisiana, to support favorite charities unrelated to cultural groups, or to support ongoing community activities. One of the earliest important social clubs, with a clubhouse in the Faubourg Marigny area in New Orleans, was the Filipino-American Goodwill Society. According to Rhonda Richoux, new arrivals from the Philippines were quickly welcomed into the local Filipino clubs. The clubs celebrated holidays and maintained customs from the home country, and also embraced local customs. This helped immigrants to learn about new customs by participating in them with fellow Filipinos. One example is Mardi Gras; individual Filipino clubs held their own Mardi Gras balls and elected their own carnival courts. Rhonda Richoux describes the activities of the Filipino-American Goodwill Society, nicknamed "The Flip Club" by its teenaged members, to which her family belonged:

Essays From Contemporary Culture Online

All Filipinos in Louisiana speak English and are familiar with American popular culture, but there are several factors that help Filipinos to remain connected to the islands and to their culture. Many Filipinos remain in close contact with friends and family members who live in the Philippines, and visit regularly. Children, even those who do not become fluent in Tagalog, at least learn some traditional songs and expressions, and pick up some of the language if their families visit the islands. The current popularity of traditional-pop fusion and traditional dance has young people interested in learning from their elders. The large number of Filipino organizations in Louisiana, which support Filipino enterprises in the United States and the Philippines, gives residents a variety of ways in which to be involved with other Filipinos and with causes of importance to the larger community. Like all of the Filipinos interviewed for this essay, Hermie Urcia expressed thankfulness to all of those individuals (more than could be named in this essay) who spend their available time organizing Filipino events and sharing the culture:

Contemporary Culture Essays - StudentShare

Essays From Contemporary Culture - 5th edition - …

Mrs. Catolos, who was a schoolteacher in the Philippines, came to the United States as the bride of a Filipino American serviceman in 1958. She enrolled at the University of New Orleans while working at D.H. Holmes department store and raising three children in the 1960s during a time when her husband, a merchant marine, was often at sea. She says that her strong accent made it difficult to find challenging, remunerative work, and that she would end up working "the business side" away from customers. She proved her worth to D.H. Holmes, but realized that she could go into business for herself and provide items sorely missed by local Filipinos. In 1971, she began importing Philippine handicrafts such as wood-carvings, items of clothing, and puka-shell art and jewelry. Soon, she had a stall at the French Market in the section known as the flea market. Her present store is her third location (the other two were in the French Quarter), and her son now operates the flea market stall on weekends. Tita Ely describes her business:

Louisiana Filipinos have organized mutual aid societies since their earliest communities were established, and social clubs offered their members places to gather and strengthen community ties. Working together, cultural organizations served not only to provide community to people missing family and routines from home, but also to advocate for the good of the group. One example is the successful repeal of a prohibition against Asians owning land. Today there are about 21 social, cultural, and professional organizations of Louisiana Filipinos. Almost half are local chapters of national organizations; all are geared toward improving the lives of Filipinos living in Louisiana. A good number of them operate charitable activities that benefit residents regardless of their cultural background. Some people, like Marina Espina, the first female president of the Filipino-American Goodwill Society of America and the founder of the Asian Pacific American Society, wonder whether the multiplicity of organizations has the result that "Filipinos lack a sense of unity" and that perhaps this means that "the Filipino community becomes less visible to New Orleans society." Others contend that there is a strong core of very active community members who maintain memberships in multiple organizations.

Family and Contemporary Culture Essay - Progress Essays

Essays from contemporary culture (Book, 2003) …

In interviews, Filipinos stress that theirs is not a closed community, and that Filipinos in Louisiana welcome and value their friendships with non-Filipinos. Gatherings such as Independence Day celebrations, the annual Filipiana gala, and even Filipino religious observations all welcome respectful non-Filipino guests. Sometimes the interest of an outsider, such as an interviewer or festivalgoer, can offer a welcome opportunity to proudly explain Filipino culture and history. The most valued traditional gatherings, though, are those that include active Filipino community members and new arrivals from the Philippines. These occasions allow Louisiana Filipinos to welcome new arrivals, grow their community, and keep in closer touch with their homeland. Hermie Urcia reflects on his community in Louisiana:

Paper Details: Write a short three page review essay of a contemporary or pop culture representation of family. You can use book, film, or television program sources that are approved by instructor. Please see other “academic” review essays in journals or academic sources (DO NOT ONLINE LOOK At ESSAYS LIKE MOVIE REVIEWS AS EXAMPLES). You can find examples of these in the ASU Library under “One Search” or JSTOR.

Get this from a library! Essays from contemporary culture. [Katherine Anne Ackley]
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Essays from contemporary culture (Book, 2004) …

Today, Louisiana Filipinos, like those around the country, are quite assimilated personally and professionally, though most also make time for Filipino activities as well. American Filipinos can often be heard referring to themselves as "Pinoys," in a very similar spirit. According to Dawn Bohulano Mabalon, now an assistant professor at San Francisco State University specializing in Filipino American history, and others whose families have used the term "Pinoy" or "Pinay" as far back as the 1920s, the term was originally used by Filipinos in the United States as a self-description, to distinguish themselves from Filipinos still residing in the islands. Among contemporary Filipino Americans, the term "pinoy" has also come to be an affectionate reference to people, things, sounds, and flavors of Philippine background, rather like some might use the expression "down-home." An example is one cook's assertion, describing her recipe that weds Filipino to Louisiana ingredients and techniques, that "This special ingredient is what puts the pinoy in my gumbo!"

Contemporary Culture | UniMasters Custom Essays

The Republic of the Philippines is located in Southeast Asia, and Manila is its capital city. The Philippine Archipelago includes 7,107 islands in the western Pacific Ocean (east of Vietnam). The indigenous culture varies among the different islands and some traditions reflect European and American influences from Spain, Latin America, and the United States. Modern day Filipinos are of Austronesian descent (ancestors hailing from Indonesia, Melanesia, Micronesia, and Polynesia), although the backgrounds of some Filipinos may also include Spanish, Mexican, American, Chinese, Arab, or Indian ancestry. The racial blending stems from successive periods of emigration and colonization. The Negritos or Aeta (indigenous peoples) were the islands' original inhabitants; Malays from Southeast Asia moved into the area bringing Muslim culture (Muslims constitute roughly 5% of the population), and later Chinese and east Asians mixed with natives and Malays. The nation is unique among Asian nations in that it is primarily Christian. The majority of the population (82%) is Roman Catholic; most of the remaining population affiliates with other Christian churches, although there are also small communities of Buddhists, Daoists (or Taoists), and tribal animists (Dolan1991).

Essays from Contemporary Culture - Powell's Books

The traditional ideologies about an American family have evolved over the years. The typical image of a nuclear family with a dog buddy, happily standing next to their family house is drastically fading away. This depiction of the American family no longer applies to most families in the US today because of the progress in culture especially towards gender equality. The television program Modern Family is one of the TV programs that have attempted to portray the contemporary family representation in the US. According to Merritt, the 2009 show has become famous and successful over the years because of its depiction of the current families in America. It takes away the non-traditional family elements of the past and stuffs them into a single TV series (Merritt, 1). This popular sitcom communicates familial principles to the American culture. The show is comprised of three interrelated families, the Pritchett family, the Dunphy family and the Pritchett-Tucker family. A close analysis of the sitcom reveals the current American family structure. The families convey both false and true impressions of modernity with the Pritchett-Tucker family giving the most obvious representation in the current American culture, a gay married couple (Staricek 51). This depiction is not currently seen in America with gay marriages emerging in the society; however, same-sex marriage has not been fully accepted ion the society. In addition, the hyphenated last name of the Pritchett-tucker family adds the illusion of modernism. In America, many families use the husband’s name as the last name, and this family is following an emerging trend where their last names are hyphenated. The couples that follow this norm hold the reputation of being liberal and progressive. This also projects the idea that the couple is rejecting the dominant ideologies of husband’s last name. On the other hand, the Pritchetts represent the modern couple in America, made up of a re-married couple with a foreign wife and a rich husband. Gloria’s Colombian decent is referenced throughout the show, and her presence reflects the recent increase in Hispanic population in America. Currently, the population of the Hispanic has grown from 4 percent to 16 percent from 1970 to 2014 (Staricek, 52). Additionally, the presence of Gloria’s son in the film represents the present situation of blended families and increase in step siblings and step children in the American families. The Dunphy family is the current traditional family representation in America; the family does not convey a sense of modernity to the audience. The family setting represents the normal American family that has been the traditional family in America. This setting includes a working father, a stay at home mother and children. This family suggests the widely accept norm that the man, the masculine partner takes the role of a provider, while the woman, who is the feminine partner takes the role of caregiver. According to Staricek, the gender role assignment within the family originated from cultural beliefs in biological essentialism. Therefore, it is believed that men are the natural home providers and women are naturally the caregivers and are best suited for household and family raising responsibilities (Staricek, 52). This type of power figure is seen as the traditional family unit, but it has changed over the years. The American society has adopted a new style where both parents work outside the home to provide for their families. Staricek argues that the American history has changed and the women contribute to 51 percent of the American workforce, and this reality is contrary to what is seen in the sitcom (Staricek, 53). The sitcom communicates information that supports the dominant cultural beliefs about family structures. All these families promote the dominant ideology of the current American family structure. Additionally, the program communicates the current family structure, where every family needs a mother figure to play the role of a mother within the family. Contrary to its title, the program communicates a traditional ideology of the traditional family one with a masculine figure to provide for the family and a feminine figure to take care of the children and the home.

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