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Dr. No and Dr. Strangelove: Cold War Anxiety in Film, …
Alexander Langer will graduate in May with an M.A. in History from Villanova University, where he studies the history of American Foreign Relations. He graduated with a B.A., summa cum laude, from the University of Arizona. His academic career will continue as a Ph.D. student at the University of Colorado at Boulder. This piece came from discussion of Cold War culture with Dr. Marc Gallicchio, whose guidance throughout the creation of this essay and the entire M.A. process has been invaluable.
The early 1960s saw a string of popular Cold War spy movies and television shows that illuminated the complexities of life in Cold War America. Movies like Ian Fleming’s Dr. No and From Russia with Love popularized the spy movie, while movies like Dr. Strangelove and The Manchurian Candidate grappled with the fear that the government couldn’t be relied on to guarantee American safety. This paper draws upon these movies from the years 1962-1964, the events surrounding the release and consumption of the movies, previous historical research into the culture of the Cold War, and the reaction to and reception of these works. In doing this, this paper attempts to understand how Americans understood the fears and adversaries they faced, and investigates how the public confronted and coped with those fears.
Dr. Strangelove - Topics: Nuclear War - Black Humor
Rationale for Using the Movie: Dr. Strangelove explores the absurdity of the use of nuclear weapons and satirizes the strategy of "Mutual Assured Destruction," an outrageous and risky policy which, nonetheless, kept the U.S. and the Soviet Union from blowing each other up during the Cold War. The film is thought provoking and its humor easily leads students to understand the use of absurdity as a tool for the communication of important ideas.
While two images are never forgotten â kong astride the hydrogen bomb, yeehawing all the way down, and strangelove, unable to control his mechanical arm flying into the nazi salute and throttling elove":These results are sorted by most relevant first (ranked search)Strangelove, on american attitudes towards the atomic bomb and cold elove, stanley kubrick took a serious issue and turned it into a political comedy
Strangelove, Cold War; accidental nuclear war; …
From a critical point of view, the film tackles the issue of cold war in a credible manner. It brings out all the details of the cold war in a radical manner. To a larger extend, the film was true to its main course of addressing the cold war. Dr. Strangelove is a film that takes up a serious matter and addresses it in a comical way. The entire movie is satirical since it embraces humor while narrating a serious story. From a personal point of view, Dr. Strangelove is a classical film that is thrilling, informative and timeless in relation to its ultimate content.
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