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Critical essays on Bernard Malamud (Book, 1987) …
Chekhov's influence on the modern short story and the modern play was immense. Among his innovations were his economical husbanding of narrative resources, his concentration on character as mood rather than action, his impressionistic adoption of particular points of view, his dispensing with traditional plot, and, as Charles May declared in an essay collected in , his use of atmosphere as "an ambiguous mixture of both external details and psychic projection." In all these regards Chekhov had an immediate and direct impact on such Western writers as James Joyce, Katherine Mansfield, and Sherwood Anderson; indirectly, most major authors of short stories in the twentieth century, including Katherine Anne Porter, Franz Kafka, Ernest Hemingway, Bernard Malamud, and Raymond Carver, are in his debt.
120Reviews American people. This psychic minus spawns historical illiteracy instead of the freedom and literacy which Harris noted earlier as the "connecting" bond among all of the characters' quests. Harris' work represents a clever interweave of media documents and black critical theory to formulate a perspective on the literature of Afro-American authors who, in the tradition of their forefathers and mothers, attempted to translate their readings of a people and a society in the throes of transformation. It represents a ready source for scholars interested in AfroAmerican literature of the latter half of the twentieth century. Northeastern UniversityJoyce H. Scott Salzburg, Joel, ed. Critical Essays on Bernard Malamud. Boston: G. K. Hall & Company, 1987. 232 pp. Cloth: $34.00. Over the past thirty-five years, a constantly enlarging body ofcritical writing has described, analyzed, and interpreted Bernard Malamud's novels and short stories. Although Malamud gave close to three dozen interviews in that period, most of what we know of his biography has come from biographical chapters in the Dictionary ofLiterary Biography (vol. 28); World Authors: 1950-1970; Malamud's introduction to The Stories ofBernard Malamud; and an autobiographical memoir, "Long Work, Short Life," given as a lecture at Bennington College (October 30, 1984). Most of the best of the criticism that reflected the changing character of Malamud's fiction, however, is in the many scholarly journals, the bibliographies, and the four collections of criticism that have been published, including this one, and the whole issue, "Bernard Malamud: In Memoriam," in Studies in American Jewish Literature in the Fall of 1988. Leslie and Joyce Field's Bernard Malamud and the Critics (1970) included the widest spectrum of criticism to that date. The Fields' Bernard Malamud: A Collection of Critical Essays (1975) was smaller, more selective, and included several essays published for the first time. Harold Bloom's Bernard Malamud (1986) is a wide-ranging collection, chronologically arranged, of reprints. But Joel Salzburg's Critical Essays on Bernard Malamud (1987) is the most up-to-date, with the single most perceptive, survey essay that I've seen; the reviews here are far from ephemeral journalism, and the essays have an impressive philosophical depth. They make up the most insightful critical thinking on Malamud's fiction presently available. Half of Salzburg's collection is made up of reviews. For example, Harvey Swados' "Baseball a la Wagner: The Nibelungen in the Polo Grounds" is a pioneering essay in myth criticism of The Natural (pp. 23-37); Alfred Kazin's review of The Assistant explores Malamudian symbolism (pp. 25-29); Frederick Dupee explores the nature of "distorted. . .mature sexuality " and the "madness. . .of great art" in Idiots First (pp. 38-39), while George Elliott's review interprets The Fixer in both the metaphysical as well as political realms (pp. 41-46), and Leon Edel explores Dubin's Lives in the context of "the first novelist to devote an entire novel to a biographer" (p. 61). The essays and articles, from books and journals, are even more impressive. Iska Alter's "The Good Man's Dilemma . . ." from her book of the same name, explores Malamud's style, "a fusion of the fabulous and the factual," as the vehicle for humanistic moral values (p. 75). Philip Roth, noting Malamud's "lineaments of moral allegory" (p. 98), also points to the subsurface of sex, violence, and aggression in The Assistant, The Fixer, and Pictures of Fidelman. In turn, Lawrence Langer's original essay for this volume applauds Malamud's concern for suffering but suggests that he "naively simplifies an enormously complicated issue," the Holocaust (p. 116). ChristofWegelin describes Malamud's rejection of America's idealistic attitudes toward Europe; Chiara Brigand looks at Malamud's female characters in her "Mirrors, Studies in American Fiction121 Windows, and Peeping Toms: Women as the Object of Voyeuristic Scrutiny" in A New Life and Dubin's Lives and finds that "they share a common shallowness and common values" (p. 185). Finally, Sidney Richman's "Malamud's Quarrel with God" explores the author's God's Grace and concludes that it is "at once the most elaborate of his attempts at the fable and unquestionably his most ambiguous," although the message of...
Critical essays on Bernard Malamud - Google Books
1950: The Man With The Golden Arm by Nelson Algren
1951: The Collected Stories of William Faulkner by William Faulkner
1952: From Here to Eternity by James Jones
1953: Invisible Man by Ralph Ellison
1954: The Adventures of Augie March by Saul Bellow
1955: A Fable by William Faulkner
1956: Ten North Frederick by John O'Hara
1957: The Field of Vision by Wright Morris
1958: The Wapshot Chronicle by John Cheever
1959: The Magic Barrel by Bernard Malamud
1960: Goodbye, Columbus by Philip Roth
1961: The Waters of Kronos by Conrad Richter
1962: The Moviegoer by Walker Percy
1963: Morte D'Urban by J.F. Powers
1964: The Centaur by John Updike
1965: Herzog by Saul Bellow
1966: The Collected Stories of Katherine Anne Porter by Katherine Anne Porter
1967: The Fixer by Bernard Malamud
1968: The Eighth Day by Thornton Wilder
1969: Steps by Jerzy Kosinski
1970: Them by Joyce Carol Oates
1971: Mr. Sammler's Planet by Saul Bellow
1972: The Complete Stories of Flannery O'Connor by Flannery O'Connor
1973: Chimera by John Barth
Augustus by John Williams
1974: Gravity's Rainbow by Thomas Pynchon
A Crown of Feathers and Other Stories by Isaac Bashevis Singer
1975: Dog Soldiers by Robert Stone
The Hair of Harold Roux by Thomas Williams
1976: JR by William Gaddis
1977: The Spectator Bird by Wallace Stegner
1978: Blood Tie by Mary Lee Settle
1979: Going After Cacciato by Tim O'Brien
1984: Victory over Japan: A Book of Stories by Ellen Gilchrist
1985: White Noise by Don DeLillo
1986: World's Fair by E. L. Doctorow
1987: Paco's Story by Larry Heinemann
1988: Paris Trout by Pete Dexter
1989: Spartina by John Casey
1990: Middle Passage by Charles Johnson
1991: Mating by Norman Rush
1992: All the Pretty Horses by Cormac McCarthy
1993: The Shipping News by E. Annie Proulx
1994: A Frolic of His Own by William Gaddis
1995: Sabbath's Theater by Philip Roth
1996: Ship Fever and Other Stories by Andrea Barrett
1997: Cold Mountain by Charles Frazier
1998: Charming Billy by Alice McDermott
1999: Waiting by Ha Jin
2000: In America by Susan Sontag
2001: The Corrections by Jonathan Franzen
2002: Three Junes by Julia Glass
2003: The Great Fire by Shirley Hazzard
2004: The News from Paraguay by Lily Tuck
2005: Europe Central by William T. Vollmann
2006: The Echo Maker by Richard Powers
2007: Tree of Smoke by Denis Johnson
2008: Shadow Country by
2009: Let the Great World Spin by Colum McCann
2010: Lord of Misrule by Jaimy Gordon
2011: Salvage the Bones by Jesmyn Ward
2012: The Round House by
2013: The Good Lord Bird by
2014: Redeployment by
2015: Fortune Smiles: Stories by
- The Assistant essays examine a book by Bernard Malamud about a man named Frank Alpine and the changes that occur in his life, and the lives he has effected.
The fixer bernard malamud critical essays
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