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What Factors Should I Consider When Choosing a Career?
The final result was brilliant from all perspectives. Laurents's book captured thelingo of the streets, Sondheim's lyrics conveyed youthful emotion through breathlessunderstatement, huge portions of the show were given over to Robbins's expressive andgripping ballets, and Bernstein's music soared from tragic fury to the tenderness of firstlove, and all with the essential spirit of New York. The cast of relative unknowns headedby Carol Lawrence, Larry Kert and Chita Rivera threw themselves into their roles. Theintegration of these elements was extraordinary, and perhaps is heard to best advantage in"Maria," an absolutely perfect blend of lyrics, melody and sheer feeling toconvey the ardor of first love.
Having associated with contemporary composers and having written much modern musichimself, Bernstein was well aware that the pivotal significance of transcended mere popularity. Indeed, so much of what we now accept as "modernmusic" derives from . Carl Van Vechten (who got beat up in the openingnight melee) recalled that the audience had reacted so violently because they found thewhole thing "a blasphemous attempt to destroy music as an art." With the benefitof perspective, Edwin Evans more aptly described the score as "a conflict which isforever rending and tearing, not in order to destroy, but in order to emerge."Stravinsky recognized that traditional classical music had become stagnant and had toevolve quickly. He did not set out to destroy the old music, but his jagged rhythms, wildharmonies and violent dynamics gave birth to so much of the music of our time. Thus theproblem Bernstein faced was to present the score with startling freshness to an audiencethat was apt to take its innovations for granted. After all, in the 45 years since thepremiere of modern notions of rhythm had grown sophisticated through jazz,traditional musical form had become superseded by chance music, the outer bounds oftonality and dissonance had been supplanted by serial music, and crashing chords seemeddownright placid compared to high-decibel rockers and computer-generated .
Consider choosing career essay | …
To Koussevitzky, every performance was performance, which required aconductor's total devotion and care. Koussevitzky was vain and lived and dressed quitewell. But as Bernstein later recalled, "All he did was marshalled and harnessed to beat the service of music. The difference lies between the conductor who is vain on his ownbehalf and the conductor whose ego glories in the reflected radiance of musicalcreativity." Koussevitzky demanded that a conductor lead a life of personal purity,morality and service to the community. His approach was religious: musicians, like clergy,had to constantly earn the right to transmit the holiest of art to the people.
Of all the brilliant students at Tanglewood that first summer, Koussevitzky seized uponBernstein to become his star pupil and to groom as his ultimate successor. Bernsteindecided then and there that conducting would become his main focus of musical activity.
What Factors Should I Consider When Choosing a Career
Lenny's enthusiasm for music exploded during his teen years. He staged amateur operas,dabbled at composition, and played on a radio show sponsored by his father's beauty supplycompany, a harbinger of the broad scope of his future professional activity. He becameparticularly adept at improvising variations in the styles of various classical and popcomposers, an early manifestation of the eclecticism that led him to value all music andto cite examples from the Beatles as readily as from Beethoven or to prefer attending aJimi Hendrix concert to a classical recital. He practiced the piano voraciously at allhours of the night; significantly, though, Lenny's was not the type of focussed, incessantrepetition aimed at perfection but rather a spontaneous outburst of the sheer joy ofplaying and invention that would characterize his career.
After receiving a strict, classical education at the prestigious 300-year old BostonLatin School, Bernstein attended Harvard. His pianism excelled and he became known as aprodigiously talented sight-reader. Bored with the highly theoretical music courses, heinstead studied language and philosophy, while immersing himself in a wide variety ofextracurricular musical experiences: playing silent film accompaniment, writing scathingcriticism, and even staging Gilbert & Sullivan operettas. Bernstein's first year and ahalf at Harvard was uneventful, and he appeared headed for a career as a concert pianist,if only he would settle down. But then 1937 brought a dizzying succession of threeinfluences that would shape Bernstein's personality and career.
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1063 words essay on Choosing a Career
In the original album notes to the Beethoven , Bernstein wrote that thiswas the proudest achievement of his life. What he did not write was that this recordopened the door to the rest of his career. While Felicia still lived, Bernstein canceledmost of his activities to be with her. But following her death, even as Bernstein'spersonal habits and social conduct slid into disrepute, his focus and magnetism on thepodium scaled unprecedented heights.
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The most extensive of the new series, though, was with the Vienna Philharmonic. WhileBernstein's career until now had centered upon New York, his professional life would focusincreasingly upon Vienna. The most perplexing question is why an ardent zionist was soattracted to this most antisemitic of all European cities (and, for that matter, why he soactively contributed to the profits of a record company firmly rooted in the Third Reich).Philharmonic violist William Lincer succinctly summarized the anomaly: "They gaveflowers to Mr. Bernstein today. Twenty-five years ago, they probably killed fifty of hisrelatives."
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In 1976, Columbia released Bernstein from the remainder of his contract. He signed withDG and launched the final phase of his conducting career.
When Choosing a Career Path Essay
For the most part, the producers have chosen well among the works receiving multipleperformances during Bernstein's Columbia tenure. Thus, they have included the lush 1973Ravel with the French National Orchestra and the atmospheric 1968 remake of Berlioz's , while bypassing the inferior second versions of Shostakovich's and Stravinsky's . But they stumbled badly by selecting thediffuse 1974 London performance of Mahler's in lieu of the rivetingand astoundingly passionate 1961 New York reading on M2S-695 and by choosing the solid butunremarkable Beethoven with Rudolph Serkin rather than thevisionary 1959 account with Glenn Gould on MS-6096. And instead of Marilyn Horne's singingof Ravel's , it would have been more meaningful to have used the earliercollaboration with Jennie Tourel, who had helped launch Bernstein's career, and with whomhe had a deeper artistic bond.
Essays on Factors That Consider When Choosing a Career
Nearly all conductors tend to slow down as they age. Perhaps this is a function ofphysiology, reflecting the slower reflexes and more deliberate tempo of an aging life. Orperhaps the change is psychological, reflecting the more contemplative, ruminative natureof a mature artist. Whatever the cause, the effect is apparent in nearly every greatconductor whose mid- and late-career activity has been documented on record. ButBernstein's change would be the most dramatic of all.
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