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Free Essays on Unless by Carol Shields

While on the show, Evans showed a mammogram image where the patient was wearing a thyroid shield. In the image, viewers could see where the shield slipped down into the field of view, blocking some of the breast and necessitating a repeat mammogram, exposing the patient to more radiation. Another doctor on the April show, Jocelyn Rapelyea, MD, associate director of breast imaging at the Breast Imaging and Intervention Center of George Washington University, explained that since the initial Dr. Oz Show episode, many patients visiting her practice for mammograms had asked for shields, necessitating repeat views 20% of the time.

Carol Shields-The Stone Diaries essays

The following nine essays take the ideas developed in Shields's piece as a template for their own discussions and are particularly illuminating in their analyses of Shields's equivocal relationship with postmodernism. The first section examines Shields's experiments with narrative form and genre; the second deals with her attempts to take 'a step beyond' the postmodern language game. Sarah Gamble cogently traces the 'patterns of repetition, doubling and exchange' in Shields's early texts and identifies their tension between linguistic and non-linguistic forms of creative expression. (Gamble's analysis does, however, omit reference to the poet narrator of The Box Garden and to that novel's engagement with Small Ceremonies.) Faye Hammill persuasively argues for The Republic of Love as a self-conscious revision and rehabilitation of the romantic novel, highlighting the elements [End Page 591] of parody and polyphony which enable Shields at once to affirm and subvert the conventions of the genre.

professional essay on Carol Shields' The Stone Diaries

Essays and criticism on Carol Shields' The Stone Diaries - The Stone Diaries

Published only one month before Carol Shields's death in July 2003, Edward Eden and Dee Goertz's Carol Shields, Narrative Hunger, and the Possibilities of Fiction is the first substantial critical study of her work. (The interesting but more anecdotal Neil Besner-edited Carol Shields: The Arts of a Writing Life has also been published.) Among the attractions of the collection is its inclusion of a previously unpublished essay by Shields herself. Adapted from an address given at Hanover College, 'Narrative Hunger and the Overflowing Cupboard' provides a synthesis of Shields's best thoughts on writing and reading, on the need for narrative, and the limitations imposed upon the world's multitudinous 'story hoard' by language, literary theory, and genre. At once dense and lucid, 'Narrative Hunger' reveals not only the breadth of Shields's reading (the piece alludes at various points to Nabokov, Frye, Woolf, George Steiner, Annie Dillard, Barthes, and Eco) but also her abiding concern with what the novel has been, is, and might yet still become. A rigorous critique of the shortcomings of 'realist' and 'postmodernist' discourses, and a passionate defence of the necessity of fiction, it is required reading for anyone who cares about Shields's work and the ideas that shaped it.

Statistics cited in the ACR/SBI press release show that for annual screening mammography for women aged 40 through 80, the cancer risk from the amount of radiation scattered to the thyroid during a mammogram is “incredibly small,” measured at less than one in 17.1 million women screened. They stress that this “minute” risk of thyroid cancer be balanced with the fact that using a thyroid shield could impact the quality of the mammography image, interfere with the diagnosis, and ultimately result in the need for a second mammogram.

Carol Shields and the Extra-Ordinary on JSTOR

Carol Shields and the Extra-Ordinary begins with a previously unpublished article by Shields

The latest controversy surrounding mammography comes from an unlikely source—a cardiovascular surgeon with his own syndicated television show. Mehmet Oz, MD, an Oprah Winfrey protégé and host of The Dr. Oz Show, started a debate over whether radiation exposure from mammography could be causing an increase in thyroid cancer when he recommended that women wear lead thyroid shields when getting their mammograms.

The show was rebroadcast in December 2010 and apparently Oz’s recommendation went viral in the form of an e-mail with the subject line “Precautions re Mammograms and Dental XRays/A Useful Warning.” The e-mail message cites The Dr. Oz Show and retells the story of a woman who said she never would have known to ask for a thyroid shield when getting her mammogram if it hadn’t been for the show.

Remembering Carol Shields: Essays recall a true giant …
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Startle and Illuminate: Carol Shields on Writing: ..

Imaging’s Message
“The bottom line was that there was no risk to the thyroid with mammography, so a shield was not needed and that it could compromise optimal imaging,” Kopans says. “Dr. Oz dismissed the compromised imaging, suggesting that we often didn’t understand risk until many years later and that he was going to stick with his recommendation.

Carol Shields, narrative hunger, and the possibilities of fiction

Narrative Hunger does not seek to provide an overview of Shields's production and may disappoint those hoping for discussion of certain aspects of Shields's work: the Canadian context, her collaborative projects, her poetry and plays. What the collection does highlight, however, is the complexity and paradox of the fiction of a writer still too frequently dismissed as, in Blake Morrison's phrase, a 'genial suburban miniaturist.' Other aspects of Shields's work will...

Unless by Carol Shields - Chapter 1 summary and analysis.

The focus of four essays, The Stone Diaries is over-represented in this collection, as is discussion of Shields's 'use and abuse' of auto/biographical convention, a vitally important area but one already explored in much of the extant scholarship. Though individually persuasive, Wendy Roy's 'Autobiography as Critical Practice in The Stone Diaries'and Chiara Briganti's 'Carol Shields and Auto/Biography' inevitably cover some similar ground. Nonetheless, Dianne Osland's fascinating analysis of the intertextual echoes of Jane Eyre in the noveland Lisa Johnson's identification of an affirmative 'postmodernism of resistance' in Daisy Goodwill's 'revisions' of her life and in Shields's construction of the text itself contribute some genuinely fresh ideas to existing debates. Melissa Pope Eden's analysis of Shields's Austen biography and Goertz's examination of the 'sincere and ironic' use of symbol in Larry's Party are similarly insightful. Kathy Barbour's witty, idiosyncratic reading of Swann offers perhaps the most succinct account of Shields's double perspective: 'While seeming to affirm the postmodern premise that language is inherently incapable of conveying essential meaning, Shields is actually undercutting that assertion ... Shared meaning can be felt, understood non-verbally, through a gradual build-up of shared experience, and through goodwill and willing perception.' Finally, Hammill's comprehensive annotated bibliography directs readers towards all significant earlier works by and about Shields.

Invitations by carol shields essay Essay on panspermia

“Our recommendation is that we will provide a thyroid shield if a patient asks,” he continues, “but it is totally unnecessary and could compromise optimal positioning and lead to the need for repeat exposures.”

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