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ALBERTO CAMPO BAEZA – MAS CONTEXT

Feel, free to change the question to suit writer, however must be a case study of Guerrero House by Alberto Campo Baeza and discuss minimalism in depth.

Archive For ALBERTO CAMPO BAEZA

Alberto Campo Baeza is an architect and Head Professor of Design at the School of Architecture of Madrid (ETSAM) since 1986. He has taught in many international universities (ETH Zurich, EPFL Lausanne, UPENN, BAUHAUS, and KSU, among others). He was a research fellow at Columbia University in New York in 2003 and 2011. He has received many awards, including the Heinrich Tessenow Gold Medal, the Arnold W. Memorial Prize of the American Academy of Arts and Letters, the International Award Architecture in Stone in Verona, and the RIBA International Fellowship 2014 of the Royal Institute of British Architects

The House of the Infinite. Alberto Campo Baeza

Alberto campo baeza essay | JB Management & Coaching

Paper question: How does Alberto Campo Baeza? Guerrero House convey the minimalist ideologies and the message of simplicity, while still allowing the architecture to speak without decoration.

In contrast to the pervasive spreading of prêt-a-porter architectural images, seductive but fugacious, and yet facing a project characterized by a transient nature, Alberto Campo Baeza once again gives us a deep reflection about the timeless values of thinking and realizing architecture.
Indeed, the rigorous proposal of the Spanish architecture for “La Idea Construida”, the pavilion created by Pibamarmi in occasion of 2009 Marmomacc, got corporeality starting from two themes inextricably linked to the archetypical themes of gravity, space and time, on which architecture has always grounded its bases: the valorisation of the relationship stone-light and the composition of an antiquarium with memories of the Ancient times.
The pavilion offers itself to the visitors as an introverted space immersed in the penumbra, a void stone chamber destined to pause and meditation, ermined with Carrara marble and signed by the slow passage of luminous rays on the natural surface of the stone; exteriorly, instead, the setting presents design pieces by Pibamarmi ranged in a wall gallery, as finds of an antique collection together with historical casts of Classic and Hellenistic statues lent especially for the occasion by Florence Accademia delle Belle Arti.
The interior space, cubic and minimal, expresses a sum of long elaborations operated by Campo Baeza on the relationship among the gravity force of the stone, pure geometries, luminous static or dynamic energy, and the perception of time flowing; the antiquarium added a further degree of interpretation of the relationship between the work of men and the temporal dimension, in a mosaic of refined poetic shapes and proportions.

Oris • Alberto Campo Baeza: Flat Horizontal Plane - On …

Oris • Alberto Campo Baeza: The Brain is Square

An essay by Alberto Campo Baeza
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